typeface width - ορισμός. Τι είναι το typeface width
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Τι (ποιος) είναι typeface width - ορισμός

SWISS TYPEFACE DESIGNER (1928-2015)
Ondine (typeface); Président (typeface); Phoebus (typeface); President (typeface); Apollo (typeface)
  • Specimens of typefaces by Adrian Frutiger
  • Méridien}}
  • Adrian Frutiger's font Frutiger Capitalis
  • Sample of the font Frutiger Stones
  • Frutiger Symbols: a group of designs inspired by Stone Age art drawn on pebbles.
  • Univers Bold Condensed on a London street sign
  • Frutiger in use by the Dutch rail system
  • ASTRA-Frutiger]], a condensed variant of Frutiger, on a road sign near [[Lugano]] in [[Switzerland]] in 2011
  • [[François Hollande]]}}.

fixed-width         
WIKIMEDIA DISAMBIGUATION PAGE
Fixed-width font; Fixed-width; Fixed width font; Fixed-width typeface (disambiguation)
Uniwidth typeface         
  • Example of a uniwidth typeface. Neither font weight nor font style affects the alignment of the two lines.
A TYPEFACE WHERE EVERY FONT HAVE THE SAME METRICS
A uniwidth typeface, also known as an equal-width, duplexed, or multiplexed typeface, is a typeface where every variation (font) has the same metrics (size of each letter). As a result, changing the variation used, such as using bold or italics, does not change the layout (reflow).
Half-width kana         
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  • LED screen]] at [[Haiki Station]] displays シーサイドライナー (''Seaside Liner'') in half-width katakana. The [[dakuten]] does not seem to be treated as a separate character, though.
  • Receipt using half-width kana to save space
KANA WRITTEN IN HALF THE WIDTH OF A NORMAL CELL IN JAPANESE TYPOGRAPHY; HALFWIDTH KATAKANA ARE ENCODED IN UNICODE (E.G. アイウエオ)
Half width kana; Half-width katakana
are katakana] characters displayed compressed at half their normal width (a 1:2 [[aspect ratio), instead of the usual square (1:1) aspect ratio. For example, the usual (full-width) form of the katakana ka is カ while the half-width form is カ.

Βικιπαίδεια

Adrian Frutiger

Adrian Johann Frutiger (Swiss Standard German: [ˈaːdriaːn ˈjoːhan ˈfruːtɪɡər]; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern.

Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sans-serif typefaces: neogrotesque, humanist and geometric. Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Frutiger described creating sans-serif types as his "main life's work," partially due to the difficulty in designing them compared to serif fonts.